Ghosts of Christmas Past

By JoAnne Himmelman, Curator

This past 8 weeks, I have had the joy of re-acquainting myself with the sheer pleasure that is Macpherson House at Christmas.  I first entered the old house in September 2001, I remember walking through the summer kitchen door and inhaling the earthy smell that is mixed with a bit of flour, a pinch of herbs, a splash of fire smoke, and something that is entirely just Mac House. While I didn’t get the job I originally interviewed for, I was offered a position to create programs for a yearlittle did I know that 1 year would be the start of my 24 year love for this House and the Museum of L&A collection as a whole.

That first Christmas was an incredible experience for my 25 year old selfI worked with a dozen volunteers to prep the House with its evergreens, pomanders, popcorn strings, and a giant kissing ball. We piled wood for the fire that would have to be started every morning to bake bread in the bee-hive oven and that would boil kettles for the plum puddings the visiting children would make as a class. 

We welcomed 150 children a day  at the Laird’s house—it was all such a bustle—voices, laughter, fire crackles, cookie nibbles, and just pure happy. Between the sessions, volunteers and staff sat together to eat homemade soups and sandwiches donated by other volunteers. By the time we were done our 2 week run, we had visited with 1500 students and we were all just little worn out and maybe a little tired of looking at the kissing ball. BUT—can I just say, that was the best time. For a gal in her 20s, the Christmas magic was truly well and alive. I was able to have so many conversations with the ladies who gave their time to the House—some were retired professionals, some were active in community causes, some spent their younger years raising a family and didn’t work away from the home until their children were grown.  It didn’t matter—we were a sisterhood—and we were having fun and we bonded in the chaos that 1500 kids bring. I count the years and realize those kids who I met in 2001 are likely raising families of their own now and look to places like Mac House for holiday fun.

From 2001-2008, I facilitated hundreds of programs at the House, none were so magical as Christmas At The Laird’s. I left to pursue fulltime work with the County of Lennox and Addington, but when the House was acquired in 2012 by my employer, I found myself back in the spell of the House. While the House has taken on a new spin to its operations, it still sits there in its splendour along the river—a strong and wise old House that carries community stories and secrets. The House is preserved and looks good for her years but that pang of Christmas memory was nestled firmly in my mind.

I have wanted to do something to honour those memories for some time.  So I pondered.

Last winter a thought came to me… to re-imagine the idea of Christmas At The Laird’s but with a 2024 twist.  But who could help me?  My friend and exhibit collaborator turned me towards Queens U.  Yes!! 

This Fall, I met 4 students from Queen’s University’s DAN School of Music and Drama, who understood the assignment.  The candlelight story House Guest was created in 6 weeks by 4 drama students under the guidance of their mentor – Mo!  I didn’t know what the reception would be—so we made it a short run of 3 nights only—but with 9 performances total.  

The students took hold of the research we provided and made it their own. Mary Macpherson and Mae Vine, two strong feminine personas from the House’s past were brought back to life…in a Dickens kind of way. My heart sang a little bit when, on the final night of performances, I heard one of the actors say “We are home!”…Macpherson House…it just gets inside your soul like that!

I asked for help from a friend, Jen, from Holly Jolly Planters,  whose grandmother was an avid volunteer at the House. In came the popcorn strings, oranges, red ribbons, evergreens, and yes the return of the kissing ball.

Museum staff shopped for flameless candles and fireplace inserts that could perhaps trick the eye into thinking they were real if you squinted just so…(unfortunately insurance costs don’t allow for actual fire). I think we bought about a million candles…just kidding…but man there was a lot.  As a team of helpers and staff, we got the house ready for the holidays…it was during these days that I was both sad and elated we were decorating again. I am the bridge between what was and what will be. I often found myself just sitting in the space, embracing the memories and smiling while missing all of the people who use to add to the bustle.

House Guest has been a treat for creating memories for visitors today but it has been a trip down memory lane for me. I embraced some familiar faces who helped me 20 years ago and who were able to come see the performance (or watch the unfolding through Social Media)—Martin, Heather, Robert, Susi, Karen, Carol, and from away there was Sandra—I see you all!

The concept proved successful, we sold out every show but one. We hope to do more of this at the House—animated tours and “living” inside the rooms while you visit—we want you to step inside and imagine what the story is.  This ties in beautifully to the Museum tag line “What’s Your Story?” Thank you to those who came to see House Guest—it sure was wonderful to hear the House alive with Christmas spirits and to see it aglow with candles and fire again, even if they weren’t real, it was real enough to me.   

Happy Holidays—Be Well!

Museum Makeover

By Joanne himmelman, curator

Featured photo: Sitting with the newest museum staffer, Junie, who likes train day at the Museum.

How has it been 10 years since we got our new look? What does one do to celebrate 10 years?   Like any nosey curator, I looked it up.  Did you know that 10 Years is traditionally – Tin or Aluminum? Symbolizing strength and resiliency. I can get behind that, the museum certainly has incredible tenacity and has achieved some pretty awesome things in the last 10 years.   

In the 22 years that I worked at the Museum, I have been witness to so many programs, exhibits, school class visits, events, meetings, strategy sessions, workshops, webinars, seminars, zoom calls, conference calls, and oh yeah one huge pandemic, so much stuff, that I can hardly think of what to say about the last 10 years.

August 13th Re-opening of museum, Shelley and JoAnne happy after a long closure and hectic re-opening.

10 Years Ago...

Since I am one of the last museum team members still here after our grand renovation in 2014, I was asked to reflect about the past 10 years at the museum.  After many years of saving and planning the County closed the museum in January of 2013, for what would be a multi-year, multi-million dollar renovation and expansion, focusing primarily on the addition of a new Archives Reading Room and vault, however, much needed program space, artifact storage, and staff offices were also part of the build.
An image of Ventin Architects design plan of the new build and renovated space promoting the build and the County’s 150th.
An image of Ventin Architects design plan of the new build and renovated space promoting the build and the County’s 150th.

Museum staff boxed and moved the collection and draped it in protective plastics in readiness for contractors to stake claim to the building.  Museum staff moved next door to the Courthouse where we worked for 18 months, continuing to serve the public with research requests, outreach programs, in-class school visits, and continued collection management.

Lennox and Addington County celebrated 150 years in August 2014, and the museum’s re-opening was part of these celebrations.  Staff had quite the task to get the museum ready after the contractors gave the building back.  It was May 2014, and we had a hard deadline of August 13th to have the collection back in place, offices moved and exhibits ready. READY-SET-GO!  The museum staff was on the move….we moved miles and miles of archival paper into the new vault, we uncovered hundreds of artifacts for exhibition, moved 1000s more into their new storage.

Photos of the museum while preparing for the shutdown, construction, and move into the new spaces.

In the greenspace behind the museum, over 3000 people enjoy a concert with Natalie MccMaster and other acts to kick off the County’s 150 birthday and celebration of our county history at the Museum.
In the greenspace behind the Museum, over 3000 people enjoyed a concert with Natalie MacMaster and other acts to kick off the County’s 150 birthday and celebration of our county history at the Museum.

The Museum Has a New Look and Vibe...

With our re-opening, came our new public image and how we wanted to engage with our community. Plans for new programs and new methods of exhibition were part of this new look. Which meant some deep thinking with the staff and community – what does the museum mean to people? We didn’t want to be perceived as boring, dusty cases anymore!

Museum reception circa 2011.
Museum reception circa 2011.

We have evolved in the last 10 years to truly be a place- to participate, to rest, to enjoy, to laugh, to cry, to connect, to research, to commune, and to embrace.  Staff recognize that we are merely the shepherds of our history, here to protect, here to educate, we are aware the collection belongs to everyone who lives in this county. It is their legacy and we as museum staff honour that. 

Photos show what we have been up to over the last decade – so many new and familiar faces over the years to enjoy our programs, exhibits, and reading room.

What Does All Of This Mean?

The museum continues to push boundaries and make space for everyone.  We are changing the narrative, updating the stories, including all people and welcoming histories and traditions for all who live here.  The museum is not a dusty and stuffy place of history behind glass.  I mean have you been here?  If not — you gotta come visit!  We have art, theatre, music, history lectures, tea-leaf readings, drum circles, yoga, zumba, and carnivals now!

You are encouraged to participate with all of your senses. The museum will continue to re-define itself, it is not finite, we will change as the community needs us to change. BUT – what stands clear and firm- the museum will always be a place of wonder and curiosity that explores our past, present, and future in vivid colour, sound, smell, touch, and yes sometimes taste…. 

Thank you to everyone for their past decade of visits and support. We cannot wait to see how the museum evolves over the next decade…. I am sure this curator will look at it in wonder and will happily pass the baton (or hook) to our new shepherds of County history.

Some fun stats for you!
Fall 2014- Summer 2024

Attendance

72,600

Programs  (Virtual, Take Home, In Person)

700

Research Requests

2,845

Exhibitions

90

School Students

6,000

Volunteers

15

Collection In Take

1,200 objects

Summer Student Projects

14

Balmy Macpherson House Summers

8

Facebook Followers

3,100

Social Media Posts, Reels, and Ads

Hundreds

Instagram Followers

700

Rebranding, New Mandate

1

Past Perfect Online Entries (Collection at Home)

11,835

Grants that help us work

30+

Museum Pup

1 Willow

Laughs and Smiles

Millions

Tears

A few

Pandemic

1

JoAnne and her kids in Museum tees at Carnival Countdown in July 2024.
JoAnne and her kids in Museum tees at Carnival Countdown in July 2024.

Oh Look at the Time!

By JoAnne Himmelman

Oh what a curious job I have….I got to work with one of my favourite people and put my “history hunter hat” back on for a couple of weeks. Martin Wright and I have been chums since I started working at the Macpherson House in 2001. He has been a person that I have turned to time and time again for counsel and a shoulder to lean on. I am proud to call him friend. We both have a bone deep love for the Macpherson House– I enjoy taking TIME to sit and talk to him as he has so many memories of the Macpherson House before I stepped through its doors.  He has helped relentlessly to present the Macpherson House in its best possible light, time and time again. We have sat in that House countless hours talking shop!

On our behalf – Martin has pursued auctions and has roamed the halls and alleyways of antique houses…all for the love of the game that history collecting truly is. Martin knew that I was on the hunt for a tall case clock for the lower hallway at the House. It was a void in that hall that was gnawing at me. The Laird of Napanee would have had a tall case clock! 

In recent months, we had been going back and forth on another clock….but wasn’t really sure… it’s a hard call… I know we should be looking at Canadian made pieces  but those early clocks are hard to come by and even if available, our budget couldn’t support it.  So we talked and we didn’t think it inconceivable that Macpherson would ship things to Canada from overseas. So we went in hunt of another solution…the House was built c1826 BUT our time period that we like to project at the House is as late as 1840, so anything before that is really fair game. It opened it up slightly for us.

TA-DA- this clock made its way to the public domain… Martin called me and we checked it out. It’s an Irish clock from Ballymoney, and from our digging we think it’s about 1825 – using the manufacturing timelines of the clockmaker Joseph Gordon. The stylization of the woodworking is true to this early period – it has  lovely ball and claw feet, columned mahogany wood detailing,  and a hand painted moon “face” dial – it is all so absolutely endearing.  So maybe this clock is a winner for us… off to the auction house we went! 

The clock-workings will need some restoration BUT we will work with a conservator in the Spring on that secondary project. I can’t wait to hear those bells chime. In the meantime this lovely new addition to the museum collection adds to the overall ambience of the House and is befitting of the upper-crust lifestyle that Macpherson truly lived.

Thank you to Martin for his constant friendship and guidance in my career. It was fun to be your co-history sleuth with this clock!! Now what’s next??

The Curation of Traditions: Halloween Edition

Confessions of a Curator

By JoAnne Himmelman

Sigh…this time of year always leaves me so melancholy. While my red hair might indicate my love for autumn, I have to tell you that it lies. I actually get quite sad when August fades into September and Pumpkin Spice takes over the world. I am a summer person, through and through. I love warm summer nights, dipping my feet in the lake, enjoying  a glass of wine by an evening bonfire, and listening to the calls of the loons (no not my children)… I mean actual loons as they hunt for their dinner. We get such a short summer season that I just want to wrap it up and hold onto it… I have yet to figure this out.

As I wave goodbye to summer, my family is ushering in the hockey and dance season. We say hello to homework, intramural sports, extra art classes, football, hockey road trips, and dance shoe fittings. My husband and I become a tag team and ships that pass in the night….we race the roads, we sit on narrow dance benches and in cold arenas, we text each other updates about our days and we long for the quiet respite of Summer.

October is here and almost over…we have settled into our back to school things and maybe have gouged out a groove to the routine…maybe?

So while I am looking at travel sites and planning my sunny vacation to the South this winter, because you know..its sunny and hot!! My daughter is looking at me to make her Halloween costume. Sigh…it really is October.

From the Archives of Lennox & Addington

While I have limited time to do a lot of extras right now… I must say… I make great costumes. I am not the mom you go to when you need cupcakes, cookies, or even spare time anymore…I honestly don’t have it and I don’t bake!  But if you need me to pull out a costume for a school play, event, or holiday ….I am your gal.   Maybe it’s the exhibit designer in me!!

So what does this have to do with anything museum, you might ask?   Well…here’s the thing.  It’s about the tradition.  We create tradition with our holidays that build into excitement, expectation, and genuine joy.   It’s about that time spent with your children, spouse, and friends during that celebration that creates the stories, objects, and photos that eventually make their way into a museum collection.

Have you ever just stopped to think about why we do things?  Where did it all start?  My every day at work is this very question – why?

My job as the curator is to hold the stories and curate them into an exhibit of objects that sparks emotion (good or bad).  So while I was making my daughter’s costume last night, I was mulling this.

Here I am making tail feathers for my daughter’s Peacock costume and in the background, my kids are setting up their Halloween village, a collection of Halloween houses they have been building since they were little.  I realize while I am in the thick of being the “tired mommy”, my kids have keen expectation and exude joy at our simple family traditions. But to them they aren’t simple…they are the extraordinary in our ordinary life.   Do you remember the exhibit I installed last year on this very thought….the ordinary is the extraordinary!

So while I am curating my family life into a series of holidays and celebrations. I realize it is what I do within the museum as well. I curate those human interactions, I document the time, the story, the object and then box it up, where it waits to be pulled out and celebrated again.  Just like we do in our homes…we box up our traditions and we bring them out to celebrate our holidays and special days.

Museum curation is a special job.  I get to safeguard the stories, I get to care for them and hold them dear for future generations to enjoy.  Much like my mom life at home…I hold my own family’s stories dear for my grandchildren to hear some day.  I will pull out the photos, the keepsakes, a costume or two….and I will celebrate the traditions we held dear.

So this was kind of deep thinking on a Tuesday night, after a long work day, in between folding laundry, making supper, and walking the dog and of course designing the important Halloween costume. 

Over the past 14 years, I have made over 20 costumes.  I love the challenge of creating what my children ask me to make them.  Halloween is a holiday steeped in darkness…made lighter by costumes  that are worn to trick the dead/souls that wander the earth on October 31st, we carve pumpkins (originally turnips) to ward off spirits,  we collect candy…wait a minute…why do we collect candy???

I love the history, the tradition, the fun, and the creativity that comes with every Halloween….so maybe, just maybe my goodbye to summer is a touch more bearable…if I think about all the traditions and family fun that come after the summer fade….

OH BTW….I have scavenged the museum collection and we have NO costumes or objects from past Halloweens…..so sad. Do you have a Halloween story for the museum?  Do you have some photos, costumes, home décor from your childhood?   Let the museum know at museum@lennox-addington.on.ca

Moving With The Times

Confessions of a Curator

I am writing this blog on the day the biggest snowstorm has hit in years!  I honestly sit here in a bit of awe that we are still in the midst of this pandemic almost 24 months later and that I am yet again working from home. But alas, here we are and do want to know the most scary thing of all?  – I am left alone with my curatorial thoughts… so many of those and let me tell you… yikes!

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The view of my backyard and my snowy birds just trying to find their meal.



What is a curator to do when her museum is closed?  Quite simply – I organize and organize some more…I have been working diligently over the past 2 years to organize and navigate our amazing museum collection.  We have close to 15,000 objects in our collection and I recently completed a collection plan for the site.  This plan included an in-depth review and physical inventory of the collection.  If there is ANY blessing to COVID, it is the gift of time.  I have had time to think and do things for our collection that would have otherwise been waitlisted.  

Much of my job doesn’t get seen by the public. I would say a good 75% of my day is “back of house” projects that make the “front of house” (ie exhibits and programs) look good. As tasking as it all seems sometimes – if the backend is navigable and all things traceable, my future self will be happy! The means better collecting, better exhibits, and more comprehensive programs.

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The Curatorial team made great headway in 2021 to organize several storage spaces in the museum. Here is the dynamic duo pictured in the furniture storage room.



What I am now working towards in the wake of this review is filling in the known gaps and making sure our County story continues beyond the 19th century.  The museum collection needs to start infilling post war story telling. Our grandparents and even more so now, our parent’s generation is now historical and as much as we don’t want to think about it, the stuff that is from their childhood, their angsty teenage years and early married days…are wanted for the museum. Objects from the 50s, 60s, 70, 80s, 90s and everywhere else….are needed. We need to make sure we tell the whole story of the County so that years from now and when there is someone else caretaking the County story….I know I have done my part in the collective preservation. 

My curator’s brain had to orient itself with that thought. The entire existence of our County history was not formed just 200 years ago….it was formed 25 and 50 years ago too and continues to be formed now…through these unprecedented COVID times and our everyday lives beyond this pandemic.  The stories that are in our parent’s living memory matter and we need them preserved.  I would love to hold some of the more obscure County tales in my hands….those unique objects that shape the physical, emotional, social landscape and character around us. While we have started this collecting with a couple of 1960s and 1970s wedding dresses, vintage toys, and household items…we still have a long way to go. 

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Wedding Dress worn by Debbie Morgan at Roblin in 1976. This accession is not yet available online, however it came complete with shoes, veil, catalogues, and photos.


 

To help perhaps inspire some of you…the museum is hosting a vintage space toy exhibit “FUN IN SPACE” this spring. These toys will surely bring back many memories of your own childhoods or that of your parents. These incredible toys, from the 1950s and 1960s, are demonstrative of a time when kids were in constant awe of the world above them, when the Space Race was full on, and when the moon landing was front-page news.  This collection represents a period of time when our world as we know it was changing, when technology was changing daily and it was widely believed that living off planet wasn’t too far off.  Our imaginations were soaring and the creation of these toys was a result of these exciting times. 

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Space People c1950.


 

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Space Patrol Walkie Talkies c1955.


 

This time is in living memory, so while NASA was not in our backyard here in L&A County- the narrative and the technology influenced our lives here 50 years ago and it changed an entire generation forever!

This is just an example of how one event impacted our lives. I haven’t even started with clothing, music, art, literature, social customs, County events and programs, and home trends, that also  need to  come together to give us a solid picture of these times from our not so long ago.

The Museum of Lennox and Addington want to collect for everyone and to tell stories from all walks of life.  Can you lend a hand?  Do you have story to tell me from these “newly historical” decades?  Email me at museum@lennox-addington.on.ca.  Your stuff may be just what we need!

A Plain White Treasure Box

Do you know that feeling of joy when you’re unwrapping a gift and you’re pretty sure you know what to expect? You open the gift box, you unwrap the object and suddenly you’re holding something completely different in your hand! That was exactly what I felt this past week when opening a box of artifacts. 

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The past few months I’ve been inventorying my way through the boxes stored in what has been functionally deemed ‘the military aisle’. Early last week I moved on to the next section of the aisle, and brought down a plain white box. I carried the box to my workstation, took the lid off, and saw that the inside was full of objects wrapped in opaque white tissue. I moved one of the wrapped objects onto the table, gently unwrapped it; and what’s now sitting in front of me, but an Austrian pig! Okay more accurately a ceramic piggybank with an Austrian maker’s mark. I bent down to table level, looked this itty bitty piggy in the eyes and started giggling really hard. Why was I giggling? Well if you take a look at the photo above you will see that the pig has a horizontal division in its colouring and this pattern, to my eyes, makes the pig look like its wearing pants. Immediately I am reminded of the internet debate of how a four legged animal would wear pants. If you don’t know this humorous debate I recommend looking it up. Looking at this piggybank I’d say pigs wear pants on all four legs, not just the back two. 

So why on earth am I rambling about how a pig would wear pants? The answer is simple, because I wanted to share with you a moment of joy brought to me in just an everyday moment of my job. A week or so later, I‘m still cracking up every time I look at the pig. There were three more artifacts I found just in this box, which made me smile.

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The first of these artifacts is pictured above. Upon first glance, with the artifact in a neutral position. I assumed that it was a very simple pair of garden snips. Upon gently squeezing the two handles together the artifact reveals itself to be a very small curling iron. When I saw this I had a moment of pure delight, this was completely unexpected. I had never seen a non-electric curling iron before. With a little research I learned that this hazardous hair appliance would have been used by warming the metal end in a fire then applying it to the hair like you would an electric curling iron. This frequently resulted in burns. Personally, I have never been so thankful for modern hair styling tools.

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Another artifact from this box is an ironstone bowl. Many museums have plenty of examples of ironstone, this is because ironstone was much more durable for transport than other more delicate ceramics such as porcelain. When English potters were sending their wears over to North America they found that ironstone was one of the most popular materials as it was less expensive and stood up to the trials of rural North American life. How does this bowl from the late 19th century lead to a moment of joy? Very simply, because we have only a snapshot of its history. This bowl was found in an abandoned unspecified Methodist church likely south of Napanee. As far as we know this is the only bowl that was found in the abandoned church and doesn’t that bring up a number of questions. Is this the only surviving member of a set? If there was only one, what did the church use it for? Did the bowl even belong to the church or was that just a convenient place for someone to get rid of it? I don’t know the answer to these questions but it brings a little bit of wonder to my job getting to take a moment to just imagine the different possible pasts for this bowl before it came to the museum. 

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The last artifact I’m going to talk about was actually the only military related object in this box. Coming across this case it immediately peaked my curiosity. With a little research a heartwarming story unfolded. In the months approaching the first Christmas of World War One, a 17 year old Princess Mary, of the British royalty, wanted to use her private allowance to purchase a small gift for every soldier. Though this wasn’t feasible it prompted a public fund where people on the home front could donate a little money to give a gift to every soldier associated with the British Empire. It took several years but eventually almost every solider had received a small gift generally of tobacco or a small writing case all kept in one of these small metal cases. Starting with the good will of a single 17 year old girl in 1914 it snowballed to a six year campaign to deliver a gift to every soldier. I find myself now in 2022 reading this story, and I can feel my day brighten up a little. 

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Like everyone, there are days doing my job where the next task (or box) seems like just more of the same, but I was super lucky this past week to be reminded that every day brings at least a little surprise. Sometimes there’s a little truth to those old adages; it’s good to spend a little time stopping to smell the roses, or giggling at the pigs, whichever you prefer

From Amherst Island to Vichy, France

Exploring the Life of a World War I Laboratory Assistant

To be honest, before I started my internship here at the Museum and Archives, I hadn’t spent much time exploring Lennox and Addington County. Despite having boarded the ferry across to Adolphustown countless times and taken that scenic drive along Bath Road, I had never really paused to take in the beauty and history that Lennox and Addington has to offer.

I started my internship in the first few months of the pandemic, an event which quickly encouraged many of us to slow down, unplug, and appreciate the world around us. In my time here, I’ve gotten to know the quiet grounds of the county courthouse, admired the church architecture along Bridge St. and the grand facades of century homes in downtown Napanee. I’ve stopped in Bath for a lakeside picnic, even taken a road trip along County Road 41 to put my canoe in at Bon Echo Park for the first time. My most recent L&A journey was to Amherst Island, and the person who led me there was Gertrude Preston. 

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As an Archives Assistant, processing collections is my main game. Having previously worked with the PastPerfect database and studied archival theory, I had an idea of what I was in for, technically speaking. However, I didn’t anticipate the emotional aspect of processing a fonds from start to finish. You really get to know the stories of the people in the collection, and, in a way, they become like old friends. I’ve spent the last several weeks processing the Gertrude Preston fonds, which includes a unique photograph album of Gertrude’s time in Vichy, France in the last days of World War I while she was stationed at Base Hospital No. 19, as well as photographs taken after the war, as she and her coworkers explored the coastal towns and small islands along the French Riviera. 

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Michelle Barclay Blog 6 7 8.jpgGertrude was born on Amherst Island on August 30, 1891 to her parents William and Mary Preston (nee Patterson), who had a homestead in Stella, Ontario. Gertrude’s mother died of pneumonia in 1893, leaving Gertrude to be raised in part by her grandparents James and Margaret Patterson (nee Neilson). Gertrude’s life is a bit of a mystery, but we do know that she was a nurse who completed her training in the U.S. in 1915, and that she joined the U.S. Army during World War I, not as a nurse, but as a laboratory assistant. In the lab at Base Hospital 19, Gertrude would have processed samples and recorded test results, among other things, to ensure that military soldiers, nurses, and staff remained healthy. 

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It is unclear how Gertrude ended up in New York State, enlisting with the U.S. Army, and travelling across the ocean on a massive steamship called the Baltic on June 4th 1918. Perhaps Gertrude sailed from the U.S. because there was greater opportunity to serve in the war effort from there, or perhaps she was always a traveller at heart. Gertrude took her passage home from Brest, France on March 4th 1919, settling for a while in Clifton Springs, New York, where she worked as a sanitarium nurse. Gertrude lived in the U.S. for several years, perhaps decades, bouncing from New York, to Ohio, to Florida, until returning to Ontario sometime before 1949, continuing to practice as a nurse until retirement. Somewhere in that time, she put together this vivid collection of photographs that tell of her experience during the war and the elation and hope that sprung at the war’s end. All of these photographs are now described and digitized, accessible online in our PastPerfect database!

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The Gertrude Preston collection is special because, although it does not explicitly highlight Lennox and Addington County, it serves as an example of the exterior lives of those with roots in the County.  Gertrude’s worldview dictated what she photographed, and having grown up in L&A County I like to think that when Gertrude looked out from the harbour at Cannes in 1918, she thought about home and the view from Amherst Island out onto Lake Ontario. After all my research into her life, one thing about Gertrude’s story that I am absolutely certain of is that the memories carried in her photographs will continue to be cherished by future generations of the L&A community.

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What is Your Love Story?

Confessions of a Curator

I know, I know….love… (cheese alert) who wants to read about that? Honestly, I think we all do (maybe some of us in secret). I think we are all a bit romantic at heart and we all want to hear happy stories that bring smiles to faces and bear witness to that bit of glossed over mooniness that washes over us as we tell the tales of how we met our significant other, or how our parents or grandparents met.  A good love story is the ultimate icebreaker  -“So how did you guys meet?” is often one of the first conversations we have with potential new friends.  Everyone wants to share that story. 

 

The Personality of an Exhibit

The emotion in our personal stories bring our museum exhibits to life. We are a community museum, we want to tell our community stories. The stories we share do not always have to be historically heavy. Sometimes they can just be light, funny, endearing, whimsical, heartfelt…it is these kind of stories that help define the communities within this County. I truly believe it is these quirkier stories that lend themselves to some personality and relatability within the museum.

This summer’s new exhibit “Affectionately Yours” will reveal some personality through local love stories that we have discovered in the museum and archival collections.   After this very long COVID year, I wanted to have a fun exhibit that brings joy, brings a bit of sweetness, and perhaps a bit cheese for us to grin at because I think we are all missing our personal connections. 


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We have discovered love letters, love tokens, jewelry, quilts, wedding apparel, valentines, journals and photographs. We have stories of happily ever afters, sadly there are also stories of love lost and some love that is broken. But who is say those sad and broken loves aren’t worth the telling, some of our history’s greatest love stories have not ended in happily ever after.
 

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Coconut Power

Okay, I won’t be chicken, I will tell you a bit of mine…. I met my husband, Greg, in high school, yep…that’s right, high school.  In 1995, at our grade 13 prom, our group of friends were leaving to go to the after party. While in the parking lot, we were goofing around with some coconuts (it was a Hawaiian themed prom). Greg’s date asked me to throw her the coconut.  Well I guess my baseball days got the better of me, so I did!   BUT, she instead of palming it, she caught it right in the face. I swear I truly felt bad.  Did I subconsciously want to knock my competition out of the game?  We have been examining my coconut throw for years! 

I guess I must have impressed him with my shot – because Greg called me and asked me out for a movie. Twenty-six years later,  we have- lived in our first tiny apartment, graduated university, married, coped with a chronic sickness, built a house (for reals  like we  hauled drywall, hammered stud walls, laid flooring, lifted trusses built it!), travelled parts of the world, had 2 babies, settled into careers, and we are still holding onto this crazy ride of ours. What makes it so wonderful is that to this day neither one of us can look at a coconut without laughing!  Don’t worry- Greg’s date was fine…she went onto to have a love story of her own.  

 

Do You Have A Story To Share?

Okay so I just shared a tidbit my love story, can you share yours?  I want to hear it. I really do! I would love to include your story in this exhibit. Furthermore, do you have an object that represents your love?  Can you guess what my object would be?  Yes, that’s right…a coconut. What is your object?   It doesn’t have to be traditional or practical…It just has to be the object that brings your love to mind!  

As always with the exhibits that I curate, I leave a bit for you to curate too. I love the mix of old and new with my exhibits, our present (along with our past) has important stories to tell, so I always want to make sure we include it. 

Has your love story shifted? Did it break or was it lost?  These are also important stories to tell. It is this story that shaped you.  Let me know if you have something and let’s discuss it, I may include it in the exhibit, along with your story. Email me at museum@lennox-addington.on.ca .  
Come now, be brave!  I just told you I threw a coconut at someone!

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Museum hours

Monday – Saturday: 10am – 5pm

*closed on holiday weekend Saturdays and Mondays

Archives hours

Monday – Friday: 10am – 12pm* & 1 – 4pm

*closed from 12 –  1pm 

Macpherson House & Park hours

Tuesday – Thursday, 1 – 4pm in July & August

Museum and Archives daily rate

Ages 5+: $5
Children under age 5: Free

Museum & Archives location

97 Thomas St E, Napanee, ON K7R 4B9

Macpherson House & Park location

180 Elizabeth Street, Napanee, ON K7R 1B5

Labour Day Weekend Hours

Please note that the Museum & Archives will be closed from Saturday, August 30th - Monday, September 1st for the Labour Day long weekend.

Regular hours will resume on Tuesday, September 2nd, however vault retrieval from the Archives will not be available until Wednesday, September 3rd. Thank you for understanding!

Have a great long weekend!